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Exquisite Myth
Virginia Wagner, a 32-year-old artist who opened her eyes in Berkeley and was brought up in Connecticut, is from a family of biologists but chose a profession entirely different from the scientific field. She studied art and writing at Oberlin College and got her MFA at MICA in Baltimore. Now, she is focused on teaching, as it helps her to be more expressive. Virginia is fond of utilizing the physical and psychological aspects of nature and displays them in her work with distinctive combinations of colors.
Working with ink and oils, she likes to paint conflicting relationships between humans and nature. One of the most recent series by Virginia Wagner is called Metropolis (2017), heavily inspired by the ever-changing environment around us. Metropolis is a painting series that parades us through dystopic places using enticing colors and fascinating textures.
Virginia Wagner believes in creating images that connect people empathetically. Living in a fast-paced technological world, the artist’s main goal is to create images that tell a shared story of living and navigating the era of constant technological and ecological shifts, to help frame the shared feeling of how alien the world has become. She supports the statement of the late American Professor of Literature Joseph Campbell: “The function of the artist is the mythologization of the environment and the world.”
Dreadful Reality
The artistic process itself is far from spreading color on the canvas. Wagner collects images, makes rough sketches, and attaches notes, before starting a painting. “I don’t wait for the muse to drop by. There are far too many important stories worth telling and each one takes a long time to grow and shape,” she says. While her various scenery is mesmerizing to us, the places Wagner finds herself drawn to are those which are affected by humans or changing environmental effects.
“I’m particularly attuned to the ways that humans are affecting the Earth and how our environment is changing. Often, I’ll visit places that are in a state of ruin or rebuilding – an abandoned hospital complex, amusement parks, or coastline after the storm. When I go to draw, it’s from a deep well of the things I’ve gathered.”
With her artwork, Virginia Wagner aims to display the emotional truth of living in a technologically-advanced world and explores our relationship with nature. She blends the myths with the realities and creates masterpieces that never fail to impress visually and emotionally. Her paintings embody the ever-changing chaotic natural elements of a scene. She raises her voice at the lies and indifference of the current political system, and hopes for a change through truth-seeking and connection.
